nice price deal !!! after ab initio 04 comes…ab initio 05… sometimes it really is that simple! what is not so simple however is how sebastian san manages to always stick to his sound and still deliver one fresh release after another. the fifth installment of his own ab initio imprint is no different: three absolute storming tracks bringing you that typical vibe to make you lose your mind and body. >photonics< takes up the complete a-side, tweaking and twirling with heavenly chords and synths, it is one of those tracks you can play to really lock dancers into your groove. >horsepower< is a bit of a rougher affair with a serious oldskool chicago twist, but still very much sebastien san of course. >kepler 22 b< rounds off the e.p. in style with a minimal dubby workout that should have maurizio fans storming to the booth for a track i.d. in a matter of seconds. three different tracks, three times 110% sebastien san quality. bring on ab initio 06 please!

maksim dark, well known for his own label shinocs music, strikes with his new ep >undercraus< on the frankfurt based label >la boheme recordings<. as you can hear from the first seconds, he combines timeless minimal at its best with mostly dark energies to some ass-shaking dancefloor weapons. the first 300 vinyls got an special add on, as always! so hurry up! early support from: animal trainer, joseph capriati, shlomi aber and many more...

der in berlin ansaessige schwede cupids head praesentiert das erste von ihm allein eingespielte album seit dem debuet from here we go sublime(kompakt cd 57) und ein kraftvolles update seines bahnbrechend hypnotischen stils, aber auch ein aufbruch zu neuen ufern, persoenlich wie musikalisch. ein erster blick auf das schwarze cover verrät bereits einiges ueber die tiefgreifenden veraenderungen, die in den künstlerischen kosmos von the field einzug gehalten haben

basic fingers is back! after releasing some amazing music on kat, g.a.m.m., moton and lumberjacks it is time to welcome the reflex to basic fingers. *curious it is* is a super sweet disco track with enough sing-a-long potential and a nice breakdown with a twist to have you dancing in seconds. flip it over for a dubby version which doesnt skimp on the cowbells!

the manuccis mistress label gathers pace, looking to nottingham for their fourth release in the shape of the lost sessions ep by cassio kohl. apparently moved to sign up kohl for a release of the back of a mere 15 seconds of first hearing the producers debut ep for amadeus records, the three tracks here fully justify such snap decision making from the manuccis mistress big cheeses. kohls sound is a classic take on the deep house template, showing both a talent for raw emotion and clinical production as well the sort of hooky vocal samples and epic lead synths that immediately grab your attention.

the mysterious wpbh label strikes again with two killer tracks from the vaults of one certain harry baldi. all that is known about this harry baldi character is that he once squeezed 100 tracks into a 9 seconds mix on his soundcloud and that he has never played at panorama bar or any other club for that matter.
so this one is truly a matter of the music doing the talking, and with the reggaefied dubness of cant kick this feeling when it dubs and the vintage theo parrish-styled tonight tomorrow the music will well and truly talk to a lot of music lovers.

the blade wielding edit team known as beard science return for 2013 ! four more lost classics given the short back and sides (and a few extensions) the seventh release in this celebrated series opens with oswego music stretching out a fragment of dubby eighties rock. next, t.tauri revs up the engine on a raucous disco stormer. for the b side, torontos andrew allsgood and alister dj catalist johnson make their beard science debut with some sinuous space disco, hot on the heels of the launch of their free association label. finally, brad vachal, flying solo without eric hedford on this outing, slows things down with a swampy, bluesy rock number. quality all the way...

ltd repress
new three track 12 inch by burial to be released on hyperdub, the a-side is titled >street halo<, with two supporting tracks >nyc< and >stolen dog<. their combined length is 20 minutes, 41 seconds.

fall back is the first single from the forthcoming debut lp on dfa records. the track is 8 minutes 30 seconds long. if you like factory floor, you will like this song. if you dont like factory floor, you will now. the b-sides are exclusive to vinyl and feature 3 separate loops taken from the single, created each by dom, gabe & nik. the lp is due for release may, 2013

two heavyweight cuts by burial with a combined duration of 25 minutes 32 seconds on this heavyweight vinyl.

strut present metal dance, a new compilation from one of the uks most respected dj / producers, the man behind playgroup and original founder of the legendary label output recordings, trevor jackson.
repress on 180 gram double vinyl with double cd included.

ok, we know what youre problem thinking…not another marvin edit! but hold your thoughts, this is something extraordinary and one of the best arranged and produced (not edited) tracks weve ever put out on gamm (no joke). with extra added keys and various production elements this is a 10 min and 52 seconds long boogie monster that will take you on an emotional ride youll never forget. yes, its that hot! but the flip isnt bad either with the revivra crew going uptempo with a super rework or remix (your choice) of crown heights affairs all-time ballroom classic. just like with the marvin track theyve turned the track inside out to an almost 10 min long disco cavalcade. the weekend starts and ends with this fantastic ep

super-charged bass blitz! gallop fast and hard on this speed track with its belting beats, surging horns and urgent preacher man vocals

first only available via decks.de!!!
this time only 200 copies in translucent vinyl are presented, sealed together with poster cards and personal handwritten signature by nikosf. himself. >seasons & circles< is our 3rd vinyl project, but it is also a debut release for nikos fragomanolakis (nikosf.) on deeper meaning. despite all the problems greece is facing lately, this talented music expressionist from crete definitely proves that true artists inspiration can not be affected by the modern crisis and that the electronic music scene is greece is getting even stronger no matter what. nikos is introducing his deep music vision with an elegant touch and limitless landscapes of imagination, starting from the first seconds of the track.

this is the second release on a series of classical detroit style techno releases from a norwegian bergen based producer skatebård.

second release on is records, the a-side, the future never was combines sparse beats and pads held together by a growling stuttered bass, which gives the track an industrial feel but on a techno/house tip. on the flip, fake the feeling, draws on sounds beyond the current trend for vintage analogue in an original take on the house blueprint. the b2 track out of orbit is 4 minutes 48 seconds of tech soul, for the floor or the headphones.

limited !!

david moleon presents a very special release on his own moop up label. mr. moleon invites his friends iago de la vega, boriqua tribez, dj lukas and audiowarp for this doublepack album. the techno style is full of frantic paces, grooves incredible and deep melodies. david moleon is undoubtedly the producer mas prolifically and versatile of the south of spain. watch out for this!

das dritte album der schwedischen band little dragon um die koop-sängerin yukimi nagano, ritual union , vereinigt die qualitäten der beiden vorgänger: klassisches songwriting trifft auf verführerisch-coole produktion, experimenteller late-night-charme auf electro-pop-ohrwürmer, verträumt-entspannte parts wechseln sich ab mit uptempo-dance-beats. diese einzigartige mischung überzeugt selbstverständlich wie von selbst, und so zählen little dragon prominente kollegen wie big boi (outkast), questlove (the roots), dj shadow, david andrew sitek (tv on the radio) und damon albarn zu ihren fans, letzterer verpflichtete das quartett sogar für sein plastic beach album und als support für die welttournee seiner gorillaz.

wph head honcho red d begins his new production collaboration series.... the label say here is your summer present from wph! four storming house tracks with that wph >oldskool in a new way< feel, the result of a couple of mad studio sessions at the lemakuhlar studio in landegem…now where the f*ck is that? near deinze of course…duh… the (un)usual suspects involved: lemakuhlar, social disco club, red d, metrobox and theres even some 20 seconds of san soda genius in one of the tracks. if you can find it, write the answer on a homing pigeon and win an eternal supply of wph love.

decabaret seconds release is a pure blend of finest detroit techno/electro. franki juncaj moving forward his dj 3000 moniker to focus on producing music delivers an electro stomper, >waiting in the dark< will give you thrills! second an aquatic electro mix by dj stingray from the drexciyan sea depths. aux 88 makes a top quality electro-techno bass remix. and the last but not the least tom linder from the detroit techno militia turns it into a techno floorfiller. detroit techno on top non-stop!

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

on orlando britains follow-up to his yore debut, >beneath the surface<, the uk producer laid down the new releases material in west london, but its heart and soul lies an ocean away, as the >motor city< track title suggests, britains also got a soft spot for classic house and techno, as evidenced by the title he has given to the thirty-minute ep. his first ep had sold out in seconds and this one, coming in 2 different coloured vinyl versions is expected to disappear even quicker. first very limited pressing comes as white vinyl.

rrocckkett 88 is a suite of 45 dazzling instrumental tracks - ranging from 30 seconds to 2 minutes long - alternating between rhythmic and atmospheric forms, all composed on a single synthesizer, the ensoniq sq 80 (manufactured in 1988). as the inspiration for this creation, zano bathroom (an illustrator, artist, and sound experimentalist based in atlanta) used jackie brenstons song, >rocket 88<, considered by many to be the first de facto rock and roll song.
with rrocckkett 88, the artist invented the story of his music. he conceived a fantasy music production house in the mid 80 s in new orleans where hip hop, house, techno, r & b, go go, punk and new wave are both the backdrop and inspiration. using these themes zano bathroom has imagined a comic strip score, made of video game music and tv commercial soundtracks creating a playful, disposable universe.
these seven inch singles on hollie records are the first official release of rrocckkett 88 and this selection of seven pieces is a good representation of the suite as a whole.
limited edition of 300 hand numbered seven inch singles with artwork by zano.

huge intro musical intro coplete with a perfect singing lady introducing the perfect blend of tearing drum n bass and commercial music. all ingredients are here for a hot summer anthem. the flip:>as featured in the john b podcast< is an origina piece of electro style drum n bass. compuerised vocals and uplifting synths, listen 10 seconds and you know why this is an essential part of john bs performances. both tracks will appeal to a wide audience and are the perfect hits for the radio stations coming summer.

jason little returns to the frontline of the hardtechno scene with his jasons mask series. with his cd just out there and promoting the label big time with loads of gigs and hardcore beats, jason little teams up with the creme de la creme of the scene with his first various artists ep.check the sound you all know by jason and his friends stormtrooper, sandy warez, sepromatiq and sml. big hardcore techno beats!

supported by luciano, timo maas, pig & dan, anthony collins, woody, dustin zahn. rifraf is rafael gimelstein, recently relocated from sydney to berlin, born in lithuania, raised in israel, flowered in sydney. classically trained violinist, deep as fu*k party organiser and creator of sydneys earthdance festival, rifraf is now full time producer making his distinctive sound in electronic music world. philosophy started as a casual recording of his granny klara telling stories about her time in a concentration camp in germany, and singing the yiddish song tumbalalaika and ended as a very intelligent moving sound collage. the whole peace is a trip, which feeds you constantly with changing noises and visions. although philosophy is transferring a lot of aural information, it is never telling to much and still works perfectly on the dance floor. its just an intoxicating musical tale which drives you on a wild journey. with the both remixes, one of alexkid with his deep as fu*k remix and phillip baders off runner the release get its pretentious dance floor alternatives. fifteen seconds close this fine ep, which rafael did in coop with the young israeli producer omer from tel aviv.

just a few minutes till impact. final approach, three, two, one… stephan bodzin and marc romboy aint no astronauts. they are first and foremost musicians, producers and long time friends. both would admit that arguing and talking music is as important as making it. together with their own long running imprints, systematic recordings and herzblut recordings, they have proven how to build up a distinct label sound. however, similar to some well-known astronauts, the word >luna< has a very special meaning to the musicians because its the name of marcs daughter and coincedently that of stephans wife as well. therefore it had been the obvious choice when they were looking for a fitting title name back in 2005. six years on, and the project nears its final touchdown and is honored with a an outstanding vinyl-set of six records!!! 16 different producers from all over the world take you to a musical orbit, starting in germany with moritz von oswald (basic channel, rhythm & sound), dominik eulberg, chris liebing, oliver huntemann, martin buttrich (desolat), roman flügel (dial) und robag wruhme (pampa records), continuing with speedy j (plus 8) from the netherlands, minilogue from sweden and even abe duque and brendon moeller from new york from the u.s.a.. an electronic transmission from the moon to the earth takes a little more than one second to cover the distance. but when listening to >luna<, you wont dare to think in minutes or seconds ignition sequence start, trois, deux, unité!

limited new downwards 7 inch!!! comes in a soft poly sleeve with full sleeve art.... downwards presents the follow on 7inch release from the recent killer from six six seconds....... two savage, low slung electronic drones brought to us by collin gorman weiland. signed on the spot at a live gig in the spring of 2010 in the north east. mad youth for the traumatic age. honesty at its best.

7 inch hardcore-punk release from 1982 with 10(!) tracks by negative approach, the shortest being 9 seconds.

this new record, drawing clouds, focuses on the raw techno aspect of andres production. never forgetting the more dubby textures and winding electrics so dear to the argentine master of wizardry, he creates yet another enthralling landscape right at the first seconds of the title track. as the maelstrom wraps around your mind, the unbeatable rhythms and fast-pace of the flip space mountain wallop your body for a tremendous trek. following the extremely favorable outcome of greeners first 12 inch, leonel castillos >el nino<, andres zacco pictures here the kind of journey we could only wish no end for.

for this 10th wph release we looked towards belgiums finest raoul lambert aka raoul belmans aka one half of swirl people to follow up on his splendid wph blue b-side track 3 seconds released late 2009. raoul quickly sent us cinnamon dreams, the result of a long valencia-session with friend and fellow producer nacho marco, during which they apparently ate the whole spanish supply of belgian speculoospasta, a specialty that cannot be translated in english, but it contains cinnamon, hence the name of the track and the ep

somehow effortless minilogues tracks hover and make contact ... a special aura has been there from the beginning ... with these remixes we felt there was a lot of musical ground to be conquered. so we asked dominik eulberg, max cooper and the new artist freska to interpret&#8232,,,,, this true traum classic.

ooooooh yeeeaaah!!! haasten is here! one of technos fastest rising stars brings his strongest ep to date with two huge tracks you will be hearing lot of this summer! egbert returns to gem… >haasten< (translates into hurrying) has been destroying crowds during egberts live sets around the globe for the past few months. a dark commanding bass line that skips over the beat is accompanied by a retro sounding orchestral jab to create what is looking to become one of this years biggest techno tracks! the b-side >yourself< has also proven to be a crowd pleaser and is paving the way for the future of percussion based techno. the punishing drums, deep basses, narrow mids and rattling hats kick ass throughout the track before taking a break for 30 seconds to introduce some melody and continue on mercilessly afterwards. a mean f*cking package!

urgent, throbbing rhythms, which almost imperceptibly increase into a subtle wall of sound: the tracks on todd bodines new ep develop a hypnotic character, stolen away into a dark pulsating sound field which exactly match the title of the a-side: >dark matter<. the increasingly dense electric field mixes with sparse siren sounds that create their own unique attraction. the same qualities infuse >space and stop< on the b-side, with equally unexpected musical power surges. these are tracks that will drag the dance floor abruptly from its spell in the first few seconds, while simultaneously adding a very special drive and intensity. all in all, todd bodine proves again with his new ep - the first release after his highly successful album, >forms< – his unique sense of style, gained over almost ten years of production experience.

big with: basic soul unit, ame, ingo sõnger, oliver hafenbauer, dixon, sevensol, dirk rumpf,roland appel,.. back from the initial mild pitch release >this feeling< last year, ribn deliver their overdue follow-up entitled >light black ep< - three tracks as ambivalent as the title suggests! the title track is a mesmerizing house/technohybrid of colourful darkness, reminiscent of classic early ribn releases: meandering synths and hypnotic sound fragments crawl around a stomping beat while the crunchy bass loop keeps moving things forward irresistably. first up on the flip side is >sin & figs<, a warm and pathetic summer gem that is destined to soundtrack any sunrise over the next couple of months. rich layer textures and sweet little melodies make this piece one of the most emotional moments of the mild pitch catalogue to date. closing the ep on b2 is >stonedrum<, a slow-motion house treat with oddly pitched vocals, a subtle groove and heavy low-end. its masked and fragile funkyness and crackling background noises complete a complex image that requires more attention than a 30-seconds preview clip to get a clue..

rick wade, the self-entitled new duke of cologne returns to cologne based yore imprint, the real dukes in town. the detroit based deep house soldier rick wade has been around for a long time and has been releasing deep house tracks long enough to warrant the ‘old master’ title (all the way back in 1993, he built his own studio and established his harmonie park label), and now he returns of the mighty duke of cologne with a three-track yore follow-up to his fabulous 2008 full-length the good, the bad and the deep.it takes mere seconds for the title cuts deep bass-and-drum pulse to work its magic. driven by a slinky backbeat, the tune gets its skanky kick from a wah-wah guitar figure in the background and the silky allure of classic disco-era strings.

the one-two kick drum beat that starts “in the dark of the night” functions as a bit of a tease. instead of merely establishing the languid pace of the track, it has the power of suggestion, and its stark nakedness raises the question of what will happen after the music fully launches. a few seconds later, a punch-drunk, flanging keyboard is the first clue that the listener is in for an off-kilter ride, the sauntering bassline that next appears adds a springy, funk bounce. but it’s the tripped-out, multi-tracked vocals of fernando miranda rios, aka michoacan, the producer behind this slow reveal, that give the song its peculiar, space-yvibe. it’s like david byrne with funk aspirations and a vaguely cosmic feel. the b-side remix, courtesy of italy’s clap rules, feels like more of a re-build. the song has been taken apart and put back together with brand new parts. instead of more relaxed, dazed funk at the core, it’s a glittery, disco-ball splattered track with glossy keys all around.

two and a half years after their debut lp, 23 seconds, dazzled critics and lit up dance floors worldwide, cobblestone jazz are back with a powerhouse new album that captures their live-in-the-studio energy like never before. a mixture of heady, jazz-inspired house grooves and below-the-belt analog funk, it raises the bar for electronic dance music in 2010.titled the modern deep left quartet, the record marks an important addition to the cobblestone jazz lineup, as the trio of mathew jonson, danuel tate and tyger dhula brings aboard colin de la plante (aka the mole). de la plante is no newcomer to the cobblestone crew: the four musicians have been playing together for nearly 15 years, since their first performances in small-town victoria, british columbia, and theyve all shared the stage as the modern deep left quartet

its blue, its true, and its got nothing to do with…well… whatever. after the highly successful wph purple release by san soda wph is back with the second release in our coloured vinyl-only series. the series where no digital suckers are allowed , the series where producers actually get to choose the artwork – in this case the colour, the series that digs even deeper than any regular wph release.

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

limited to 500 copies! hot on the heels of this years maxi single, erol alkan and boys noize proudly present the stunning chilly gonzales piano rework of waves. the legendary entertainist has been a long time friend of alkans (he was also the only performer to play his london niteclub trash 3 times during its decade long existence) and has currently been putting the finishing touches to his boys noize produced next album, set for release next year. released november 23rd on an extremely limited edition 10 inch of 500, the piano rework comes backed with a spoken word episode from chilly explaining how one would translate a club banger into something your grandfather could get with! fresh off his guinness world record performance (27 hours, 3 minutes and 44 seconds), chilly will also be appearing at a londons la pigalle as part of a residency every wednesday throughout november for a series of piano talk shows, each featuring a cameo appearance from friends.

first seconds into already 27th release on recognition, and we immediately know that there is serious business going on here. stunningly complex drum track goes like clockwork, only setting the scene for what is to come. forget the craft of drum programming - we are talking another dimension here. >modern dance< is like being suddenly dropped into suspended animation: having that peculiar feeling that the world around is accelerating to the verge of a seizure - and at the same time this very world feels so slow... unnamable, transparent sheets of sound almost give no room to breathe - but ones breath is taken away by the magnificent landscape it s about to appear. shapes shift under half-closed eyelids, and while the low, peaceful yet sad chant comes in, one can feel it like an omnipresent breath, burning hot and marble cold at the same time. this mysterious and heart-wrenching voice comes courtesy of one yula, and were gonna surealy hear much more from her in the future. and it seems that the beats literally start to boil... rhythms shuffle and swing, and taken the lack of floating melodies abundant in jaceks earlier output this track is even more outstanding from theproducers former work - probably acting as a bridge towards new visions, appearing in the confidence of the new, almost-perfect studio.

christian hilscher and nico plagemann - three minutes before the start: three double signals are flashing at the starting lights. the pilots are strapped into their cockpits with pinpoint accuracy. windows down, elbow out. the sound system is at the limit, the golden chevrolet is shimmering û a real feast for both the audiences eyes and ears. one minute before the start: the motors start roaring. now only two double lights are flashing at the starting lights. adjust your sunglasses. put in the first gear. the bass is vibrating. 15 seconds before the start: only one double light is flashing. now, the kollektiv is on its own. the last bit is tickled out of the sound system. behind the car, a marshal is waving a yellow flag when suddenly the windows start vibrating with the bass. the speed range is signal-red. start: the last double signal of the starting lights goes out, and for the charming guys from hamburg, five green lights are going on: the start. the pulse rate is rising up to 110. its the point of no return - the race is on..

dj support: dj hell, dj deep, brothers vibe, jerome sydenham, sasse, riva starr, laurent garnier, gel abril, axel o boman, siopis, ricardo esposito... born and raised in sweden, marco gegenheimer grew up with a big range of musical styles from reggae to soul, funk latin, pop and flamenco. he teached himself to play guitar and drums and started to play in rock and indie bands before arriving at electronic music. today gegenheimer lives in barcelona and is very active as dj and producer. his current style is influenced by his rich musical past as well as detroit and chicago, which can be clearly heard on his first perplex. kalakuta is an epic floating techno track, classic and modern at the same time, with outstanding mixing and sound design which will send all lovers of quality and emotional techno music on a journey into time and space. kuti goes into the same direction, with massive chord stabs above one of the coolest basslines you might have heard in quite a while, shortly breaking down with melancholic pads in the middle only to bring the groove back with even more force some seconds later.

supported by: timo maas, locodice, ripperton, nic fanciulli, solomun, audiofly, brothers vibe, laurent garnier, quentin harris, livio & roby, stimming, masomenos, justin long, jim masters, thomas schumacher, trickski, bushwacka!, catz n dogz, hernan cattaneo, will saul, danny tenaglia, simon baker, rocky, yousef, len faki, meat, spencer parker, alex flitsch, anthony collins, gorge,.. detroits kris wadsworth is a name that has spread very quickly amongst the housemusic community via his releases on morris audio, adult only and hypercolour, yetits >mainline< for the latter imprint which will cement his reputation as a brilliant producer. slow building, simplistic and devastatingly effective, >mainline< is one of the mostdistinctive house tracks ever made. featuring just a handful of percussion sounds, anamazing, spine tingling vocal that words do no justice to, this is a really special track. even at 10 minutes 40 seconds, the track is so captivating it feels like a minute, urgingrepeated listens

after the first release on the brand new label battle kingz three months ago now we present the second release by eric sneo and of course chris hope with two following peaktime tracks. side a starts again by chris hope and side b was produced by eric sneo. chris track collects all energy to a complete new sound experience. the groovy sound will invite you to a new dimension of sound coulture. just follow the music, and shake ya ass! the b-side produced by eric sneo also got a very unique melody like side a. the funky and groovy style with spezial sound elements will discover the dancefloor within seconds and make ya movin

recorded at the bands own illegal combatant studios and the world renowned blasting room in ft. collins colorado, supporting caste is the fifth full length release from winnipegs political punks propagandhi. crafted in collaboration with bill stevenson (black flag, descendents, zeke, 7 seconds), this twelve song collection of boundless power and depth is a 50.000 watt forward thinking tip of the hat to giants such as voivod, rush, snfu, sacrifice, razor and guilt parade, that have gone before them. legendary and unrepentant residents of humankinds ideological peanut gallery, propagandhi does not disappoint with supporting caste, launching crude rockets into the heart of the prevailing order with meditations that range in focus from the humane slaughter and consumption of non vegans in an elaborate 18 course banquet (with wine pairings) to the apparent confusion of turning on the tv to watch a simple hockey game and having to wonder whether or not the nazis actually lost the war after all. supporting caste: 12 new laments, reveries and extrapolations from 4 visibly aging prairie skids who still cannot believe that of all the gin joints in all the galaxies in all the universes, they had to be born on.

edition #2 of the german noise concept by cem oral (jammin unit) and roger cobernus (kerosene), made in 1996 for mille plateaux. 2 times 30 minutes and 30 seconds of electronic noise-ambient. infinite feedback activated.